The Creative Works Conference brings together designers, strategists, videographers, producers, and typographers who are passionate about delivering authentic design solutions across a vast range of mediums. With the Space Needle as their backdrop, presenters painted their careers through a portrait of realism – the highs, the lows, and the television cameos. The overarching message: design is an ever-changing journey.  

This year’s conference opened with Tracie Ching, a portraiture artist from Washington, DC, who emphasized the importance of adaptability. An academically trained sculptor but an illustrator by trade, Ching was determined to pursue projects that shift sociopolitical standards in print and digital media. She shared how passion and perseverance ultimately led her to discover her place in portraiture.

Seattle Mariners Creative Director Keri Zierler focused on integrating cognitive diversity into our work. “Diversity in all forms breads creativity,” said Zierler, and ultimately leads to better, more profound outcomes. Through a cleverly constructed presentation, Zierler drew compelling parallels between sports and the creative industry, highlighting the importance of assembling teams with diverse racial and ethnic backgrounds and fostering collaboration among individuals with differing perspectives.

Based in Cape Town, South Africa, MUTI is an illustration studio that has grown from a tight-knit team of only 8 designers to a vibrant collective of 18. What makes them remarkable isn’t just their growth—it’s how intentionally they’ve built their team. Each illustrator is hired for their distinct style, creating a studio where individuality is not only welcomed but essential. Their live demo at the conference was a perfect example of this ethos in action. The team illustrated a bespoke postcard in real time: one partner sketched the base, another layered in whimsical illustrations across the lettering, and the third added dimensionality and texture. The result? A vivid, collaborative piece that showcases the power of creative synergy.

Seattle-based Ames Bros brought a different kind of energy—one rooted in bold graphics and a love for the unexpected. Known for their iconic concert posters for bands like Foo Fighters and Metallica, the duo has recently expanded into the world of experiential graphics including their recent large-scale installation at Microsoft’s Seattle office, where they combined supergraphics and laser-cut wood to explore the theme of “limitless reach.”

Just as Ames Bros pushes the boundaries of visual storytelling through immersive installations, illustrator Ty Matteson brings a cinematic flair to print and packaging. He seamlessly captures the emotions of movies and television shows across print products and packaging. Matteson, known most notably for collaborations with Universal Studios, Warner Brothers, Marvel, and Apple, dove into his best projects, his biggest mistakes, and the value of taking a multifaceted approach to your work. “Design is not the only deliverable,” according to Matteson. “We’re infusing energy, unique experiences, and enthusiasm into every project.”